The Victorian era was iodin of great change in not only the arts, only when also society at large. Brittan saw itself as the greatest, or so advanced nation of all, leading(a) the earth in industrialisation. Despite this, a high character of the British population was very execrable and this was an ongoing hearty issue. These citizenry were never seen as praiseworthy subjects of the arts, however in the 1840s mountain lion Richard Redgrave began to draw on their lives as a design of fond criticism and to call tutelage to the struggles of the poor and suppress . He painted a serial publication of such(prenominal) paintings with point part to another hearty issue, the woman question . A leading ensample of such Redgrave works, and to a greater extent broadly Victorian art, is The Sempstress of 1844 ( first version) which this essay bequeath shew and analyze in impairment of its symbolism, style and significance. The Sempstress was first shown at the Royal Academy in 1844 and depicts a early fille sewing late into the darkness in her brute noodle looking upwards to the vault of heaven like a canonize . It is a reflection of the social reality of the British works woman during the 1840s and 50s .
During this period, many women from the spurn middle, middle and redden the fastness classes were forced into the workforce repayable to an unequal charge up ratio of three women to all two men . In addition, pressure was put on married women to work, as the takings for men in clumsy and semi skilled bear on were often too small to support the family alone . These women in the main moved into occupations that were seen to be naturally feminine such as national return or needlework. Needlework was favored to domestic service as one retained her independence and it was easily... If you deprivation to get a full essay, order it on our website:
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